Parlamento

ID: #3432 | Impresionismo | Arquitectura

Texto traducido automáticamente. ¡Disculpe los errores!

En 1870, Monet se quedó en Londres (durante la guerra francesa-prusiana). Pintó aquí, entre otras cosas, una serie de estudios del Parlamento de Londres. El actor principal de estas imágenes fue la niebla que creó una impresión de las imágenes. Falta cualquier detalle sobre las imágenes. El parlamento está en la luz de fondo y sus contornos deforman la omnipresente niebla de Londres (Monet le hizo la pregunta ¿Cómo podrían los pintores ingleses pintar el parlamento y capturar detalles como contornos de ladrillo cuando no es visible para la niebla?).

Los colores predominantes de esta imagen son vívido y tu formato es paisaje. Si lo desea, imprimimos una reproducción de esta imagen. Puedes elegir el tamaño y el diseño de la reproducción.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.