San Giorgio Maggiore - Venecia

ID: #2094 | Impresionismo | Paisajes

Año de creación: 1908
Versión: oil on canvas
Original guardado: Bridgestone Museum of Art, Tokyo, Japan
Tamaño del original: 74 x 93

El cuadro representa un paisaje impresionista al atardecer, con fuertes pinceladas y ricos degradados de color. El cuadro está dominado por la silueta de un edificio alto, probablemente una iglesia, en el horizonte. El reflejo del sol forma un camino de luz en la superficie del agua, y el cielo cambia de tonos cálidos de amarillo y naranja a tonos fríos de azul y púrpura con la cima.

Este texto y las palabras clave fueron creados por una inteligencia artificial, ¡por favor sean indulgentes!



Monet pintó un cuadro San Giorgio Maggiore - Venecia en el año 1908. Los colores predominantes de esta imagen son vívido y tu formato es paisaje. El tamaño del original es 74 x 93. La ubicación del cuadro original es Bridgestone Museum of Art, Tokyo, Japan. Si lo desea, imprimimos una reproducción de esta imagen. Puedes elegir el tamaño y el diseño de la reproducción.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.