Le Parlement

ID: #3432 | Impressionnisme | Architecture

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En 1870, Monet est resté à Londres (pendant la guerre française-prussienne). Il a peint ici, entre autres, une série d'études du Parlement de Londres. L'acteur principal de ces images a été le brouillard qui a créé l'impression des images. Tous les détails sur les images sont manquants. Le Parlement est dans le rétro-éclairage et ses contours déforment le brouillard londonien omniprésent (Monet a posé la question Comment les peintres anglais pourraient-ils peindre le Parlement et capturer des détails tels que les contours en briques lorsqu'il n'est pas visible pour le brouillard?).

Les couleurs prédominantes de ce tableau sont vif et son format est paysage. Nous imprimons une reproduction de ce tableau sur demande - vous pouvez choisir la dimension et la version de la reproduction.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.