Parco Wivenhoe (Essex)

ID: #2418 | Romanticismo | Paesaggi

Anno di creazione: 1816
Design: oil on canvas
Originale salvato: National Gallery of Art, Washington DC, USA

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Questa immagine è stata costretta a dipingere in ordine - che ha naturalmente governato la sua natura per la libertà, poiché ha dovuto rispettare il luogo e la prospettiva dell'immagine. Ha catturato la fattoria della famiglia Rebowch dell'Essex. L'incarico è stato mostrato dalla terra di famiglia come vantaggio per il villaggio (quindi l'immagine è anche chiamata Park). La composizione è in quattro quadranti secondo gli assi verticali e orizzontali. La parte sinistra è leggera e soleggiata, diritti piuttosto all'ombra e con un cielo più scuro. I dettagli nella foto, come Swan o Boat, non sono su di esso per caso. Dovevano dimostrare che anche uno stagno privato poteva servire una comunità più ampia.

Constable ha dipinto il quadro Parco Wivenhoe (Essex) nell'anno 1816. I colori predominanti di questo quadro sono verde e il suo formato è oblungo. L'ubicazione del quadro originale è National Gallery of Art, Washington DC, USA. Su richiesta, stampiamo una riproduzione di questo quadro; puoi scegliere le dimensioni e il design della riproduzione.

John Constable (1776 - 1837). English painter during Romanticism. He was the son of a miller in Suffolk County and since childhood, he dreamed of becoming one of the best landscape painters of the 19th century. At last, painting really became the sole purpose of his existence. In December 1817, he moved to London with his wife, and there the first of their seven children was born. Children then followed almost invariably each year, but it was very difficult and exhausting to feed such a large family. Landscape painting was not recognized nor a much profitable profession in England in the 19th century. John and Mary worked very hard, which later destroyed their health. Despite this, however, gradually the first significant successes arrived. In 1819, John Constable became an associate member of the Royal Academy of Arts.
Two years later, he painted his most famous work Hay Wagon. He exhibited it in London, but he came to fame in 1824 when this image received the gold medal at the Salon in Paris. The local appraisal was full of recognition, but in England his work was viewed with reserve. A year later, although he was accepted as a full member of the Royal Academy of Arts, he exhibited a grim picture, Hadleigh Castle, which expressed grief over the death of his wife. He entrusted their seven children to a nurse, but he still cared for them very well and conscientiously. A very renowned piece is Wivenhoe Park of 1816. In 1833, however, he fell ill and was greatly plagued by old age. To conserve his strength, he painted only less demanding watercolours. Finally, Constable died after a stroke in 1837. His paintings were sold for a small amount auction, and his work achieved recognition many years later.